The east window of St Martin in the Fields, by Shirazeh Houshiary. My review of her exhibition at the Lisson Gallery is in Whitehot magazine - read. Also, I’ve reviewed Siobhan Davies Commissions at the Bargehouse for This Is Tomorrow - read. My favourite segment of the four-part group show came from Sarah Warsop and Tracey Rowledge, entitled ‘What isn’t here hasn’t happened’ … “Hanging on the walls is a series of canvases, gorgeous big expanses of white covered with black graphite smudges. It looks like body prints, and the energy is pouring out of the images. While the movement is long gone, you can feel that it was there just a moment ago, loud and brash. As a viewer you may be alone in the room, but it is anything but quiet.”

The east window of St Martin in the Fields, by Shirazeh Houshiary.

My review of her exhibition at the Lisson Gallery is in Whitehot magazine - read.

Also, I’ve reviewed Siobhan Davies Commissions at the Bargehouse for This Is Tomorrow - read. My favourite segment of the four-part group show came from Sarah Warsop and Tracey Rowledge, entitled ‘What isn’t here hasn’t happened’ … “Hanging on the walls is a series of canvases, gorgeous big expanses of white covered with black graphite smudges. It looks like body prints, and the energy is pouring out of the images. While the movement is long gone, you can feel that it was there just a moment ago, loud and brash. As a viewer you may be alone in the room, but it is anything but quiet.”